Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied. Arranging her few possessions in Maggie's fewer receptacles, she caught a glimpse of the bright side of the fact that her old things were not such a problem as Mrs. Gereth's. Picking her way with Maggie through the local puddles, diving with her into smelly cottages and supporting her, at smellier shops, in firmness over the weight of joints and the taste of cheese, it was still her own secret that was universally inter-woven In the puddles, the cottages, the shops she was comfortably alone with it; that comfort prevailed even while, at the evening meal, her brother-in-law invited her attention to a diagram, drawn with a fork on too soiled a tablecloth, of the scandalous drains of the Convalescent Home. To be alone with it she had come away from Ricks; and now she knew that to be alone with it she had come away from London. This advantage was of course menaced, but not immediately destroyed, by the arrival, on the second day, of the note she had been sure she should receive from Owen. He had gone to West Kensington and found her flown, but he had got her address from the little maid and then hurried to a club and written to her. "Why have you left me just when I want you most?" he demanded. The next words, it was true, were more reassuring on the question of his steadiness. "I don't know what your reason may be," they went on, "nor why you've not left a line for me; but I don't think you can feel that I did anything yesterday that it wasn't right for me to do. As regards Mrs. Brigstock, certainly, I just felt what was right and I did it. She had no business whatever to attack you that way, and I should have been ashamed if I had left her there to worry you. I won't have you worried by any one; no one shall be disagreeable to you but me. I didn't mean to be so yesterday, and I don't to-day; but I'm perfectly free now to want you, and I want you much more than you've allowed me to explain. You'll see if I'm not all right, if you'll let me come to you. Don't be afraid—I'll not hurt you nor trouble you. I give you my honor I'll not hurt any one. Only I must see you, on what I had to say to Mrs. B. She was nastier than I thought she could be, but I'm behaving like an angel. I assure you I'm all right—that's exactly what I want you to see. You owe me something, you know, for what you said you would do and haven't done; what your departure without a word gives me to understand—doesn't it?—that you definitely can't do. Don't simply forsake me. See me, if you only see me once. I shan't wait for any leave—I shall come down to-morrow. I've been looking into trains and find there's something that will bring me down just after lunch and something very good for getting me back. I won't stop long. For God's sake, be there."!

"He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand." "So as not to aggravate Mona?" Fleda suggested.

"Oh!" Fleda cried, with a long wail. Then she controlled herself. "I see." Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied. Fleda had awaited his rejoinder in deep suspense; such was her imagination of the possibility of his having, as she tacitly phrased it, let himself go on paper that when it arrived she was at first almost afraid to open it. There was indeed a distinct danger, for if he should take it into his head to write her love-letters the whole chance of aiding him would drop: she would have to return them, she would have to decline all further communication with him: it would be quite the end of the business. This imagination of Fleda's was a faculty that easily embraced all the heights and depths and extremities of things; that made a single mouthful, in particular, of any tragic or desperate necessity. She was perhaps at first just a trifle disappointed not to find in the note in question a syllable that strayed from the text; but the next moment she had risen to a point of view from which it presented itself as a production almost inspired in its simplicity. It was simple even for Owen, and she wondered what had given him the cue to be more so than usual. Then she saw how natures that are right just do the things that are right. He wasn't clever—his manner of writing showed it; but the cleverest man in England couldn't have had more the instinct that, under the circumstances, was the supremely happy one, the instinct of giving her something that would do beautifully to be shown to Mrs. Gereth. This was a kind of divination, for naturally he couldn't know the line Mrs. Gereth was taking. It was furthermore explained—and that was the most touching part of all—by his wish that she herself should notice how awfully well he was behaving. His very bareness called her attention to his virtue; and these were the exact fruits of her beautiful and terrible admonition. He was cleaving to Mona; he was doing his duty; he was making tremendously sure he should be without reproach.